Critically Understand The Concept Of Film As Representational Art Assignment

Critically Understand The Concept Of Film As Representational Art Assignment Critically Understand The Concept Of Film As Representational Art â€" Assignment Example > When the word representational is used in describing any piece of art of artwork, then it means that the artwork depicts something that one can recognize or people can easily recognize. The history of the representational art started about millennia ago during the Paleolithic period when carvings of animal that people were drawing on cave walls. Ideally representational artwork is aimed at depicting the actual objects or the subjects from reality. Representational art also includes other subcategories such as impressionism, realism stylish and idealism. All these forms try to represent the actual subjects from reality. There are three forms of art, but representation art as mentioned is the oldest of the three. The others are abstract and non-objective. Apart from being the oldest form of art, it is also the most acceptable since people can easily identify with images that are identifiable like paintings, drawings, and sculptures. In addition, representational art represents some of the most collection of artwork. Despite the many phases that representational art has gone through, there is still one thing that has remained constant over this period and this is the representation of recognizable images. The representational artwork is more realistic than any other type of art work (Cavell, 2015). The importance of representational art work cannot be overlooked in the society today. First representational artwork stands as the only merit on which artistic standards can be measured. For instance a portrait can be judged on the basis of its likeliness to convey a situation; a landscape can be judged on how similarity it is to a particular scene. On the contrary, nonrepresentational artwork cannot represent anything in real life and cannot, therefore, be judged on the basis of reality(Cavell, 2015). Secondly, it is a foundation for all visual arts. Ideal representational art depends on the proficiency of the artistic, their perspective, use of color, and the po rtrayal of the overall composition. There are many perspectives from which one can qualify the importance and the use of representational artwork. There is no artwork that can surpass the use of the art in representing images. Nevertheless, the basis of this analysis is not on the types of representational artwork. This paper is concerned on film and cinema. The paper shows that film or cinema is a form of representation art. The paper looks at cinema from the perspective of writers such as Cavell, Catherine Abell, and Roger Scruton. Cavell’s perspective The first perspective as presented by Cavell looks at the sights and the sound in the representation of film or Cinema. Her perspective is based on theorist such as Erwin Panofsky. Erwin tries to provide an answer to the question “what is film” He argues that the medium in the film is physical and a reality. The same perspective is supported by Andre who says that cinema often communicates by a means that is real. The perspe ctive of this two theorist is that film is based on photographs, and in ideal photographs are of reality or nature. In the representation of movies or film, it is simply photographs that are projected on a screen. Through this projection, there is no way that the photographs change. The reality in the photographs will still remain even if they are projected on the screen(Cavell, 2015). It can simply be said that film is the projection of reality. Films simply communicate by way of reality. If a film can then communicate by way of reality they are representational.